John Frusciante Shadows Collide With People Rarely Read
The fourth solo outing from guitarist -- OK, fifth for those counting his free 21-track downloadable-only From the Sounds Inside released in 2001 -- is his most accessible effort to date in terms of mainstream appeal. It is likewise worth mentioning that he has made available demos of a majority of these sides on his website for a limited time.
Also maintains intermittent contact with the avant-garde forces that drove the Niandra LaDes and Usually Just a T-Shirt coupling in 1995. Admittedly, enthusiasts of his edgier lo-fi recordings may find 2004's Shadows Collide With People too polished and produced. However, the sonic spit-shine rarely detracts from the very palpable emotive presence within each of the selections. Although and Josh Klinghoffer (guitar/vocals/bass/keyboards/percussion) divvy up the lion's share of the instrumentation, the two are joined by fellow drummer Chad Smith and bassist -- the latter contributing an upright bassline to 'The Slaughter' -- as well as Omar Rodriguez on slide guitar and Charlie Clouser's orchestral programming.
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While 'Omission' is signified by Klinghoffer's co-lead vocal, at the center remains 's probing melodic sense. He vacillates between the power-chord rockers 'Carvel,' 'Second Walk,' and 'This Song' and the haunting beauty of 'Regret,' which is set against the decidedly more experimental and bold '-00Ghost27,' '23 Go In to End,' and 'Failure33 Object.' These wordless excursions lacerate a discernible swath across 's otherwise introspective songwriting. Examples include the introduction to 'In Relief,' 'Water,' and the feel incorporated into 'Cut-Out.' Even though it might not be the artist's intended goal, with such strong -- if not arguably disparate -- material exemplifying the best of what has to offer, Shadows Collide With People has something for his listeners past, present, and future. ~ Lindsay Planer.