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Alex From Tokyo and Isao Kumkano drop this killer track on Innervisions, an offbeat minimal tech thing with barely-there percussion and lazy handclaps which somehow transcends its oddness to become a solid piece dancefloor weirdness. Ame and Dixon's Innervisions edit toughens up the track with some extra ballast (I liken it to adding cornflour to gravy) for amplified club sounds. But it doesn't stop there, because the B-side features the spirited groover 'Baby Powder' and depth-plumbing 'Midnight Emperor'. Shape Of Broad Minds is a Philly hip hop super-group including producer Dr Who Dat?

(aka Jneiro Jarel) and MCs Jneiro Jarel, Panama Blak, Jawwaad and Rocque Wun, and this is their debut release for Lex. Featuring a guest slot from MF DOOM, 'Let's Go' is a typical Jarel production with solid beats blended with psychedelic textures and a general out-there feel - a straight up club banger it is not! 'Electric Blue' is on a more laid back tip with dreamy, sparkling Rhodes style keys, while 'Love Continues' heads further into avant territory. FORMAT INFORMATION 12' Info: Seven track 12' includes 'Let's Go' (original and Dr Who Dat? Bad Request Code Keygen. Remix, both in vocal and instrumental versions), 'Electric Blue' and 'Love Continues'. Cited as an influence by Aphex Twin and Chemical Brothers, White Noise's 'An Electric Storm' was the work of American-born David Vorhaus, Delia Derbyshire (who had created the electronic version of the Doctor Who theme for the BBC) and Brian Hodgson.

The Dudley Perkins 'Expressions' Instrumentals. The Dudley Perkins 'Expressions' Instrumentals.

1969 was a year which saw the world of popular music blossom. Musical freedom was the watchword and experimentation was welcomed by an ever increasing underground audience who were eager to feed their heads with ambitious albums by acts who embraced the worlds of rock and the avant garde.

It was also a year in which independent record labels began to make their commercial mark in Britain. Exercise Corrigo Java Pdf Reader on this page. Of these companies, Island records was undoubtedly the biggest player. Of all the albums released that year by Island, 'An Electric Storm', by White Noise was by far the most experimental and ground breaking. The album was equally surprising for the fact that two of the three members of White Noise were not long haired rock musicians, but were respected pioneers of electronic music who worked at the BBC's legendary Radiophonic Workshop. Initial recording work was undertaken by Vorhaus, Derbyshire and Hodgson at the BBC Radiophonic Workshop in Maida Vale during the night after staff had gone home. 'It was all very unofficial and the BBC was unaware of us using the studio and equipment for our own ends' recalls David.

'However, it's common knowledge now that the first couple of tracks recorded by White Noise were actually recorded at the BBC, so I think it's safe to come clean!' FORMAT INFORMATION CD Info: Digitally Remastered from the original master tapes. Perkins' debut album started life as a collection of home-made demos, which were cut to analog tape, then fleshed out (with the help of a small group of friends and fellow musicians), in a Burbank studio and at a Victorian house in L.A. The resulting material is 'Ash Wednesday', a beautiful album in which Perkins transforms circumstances of his personal life into compelling, dream-like songs with lyrics that teeter between the specific and the surreal. He's been compared to the likes of Dylan, Jeff Buckley, Leonard Cohen, Van Morrison, and current troubadour Willy Mason, and the good news is that he wouldn't be out of place amongst such exalted company. He's a star waiting to happen. 'Cozy Endings' captures the finest moments so far of a two year experiment between the psychedelic rock group Artanker Convoy and the art collective MUX.